May 28
A glimpse into a bygone era of Japanese eroticism, A New Love in Tokyo provided pink film, V-cinema and Director’s Company veteran Banmei Takahashi with a bridge towards a broader range of human experience.
May 28
A dazzling embroidery of ideas on Black history, identity, and aesthetics gives shape to artist Kahlil Joseph’s eagerly awaited debut feature, an expansion of his acclaimed 2019 Venice Biennale installation BLKNWS.
May 29
Shot with a pixelated W595 Sony Ericsson phone camera, Dry Leaf stands as a palpable salvo on cinematic degrowth. While director Alexandre Koberidze teeters on the edge of a formal gimmick to challenge technological tyranny, his characters swim against the false currents of modern life.
May 29
Shot with a pixelated W595 Sony Ericsson phone camera, Dry Leaf stands as a palpable salvo on cinematic degrowth. While director Alexandre Koberidze teeters on the edge of a formal gimmick to challenge technological tyranny, his characters swim against the false currents of modern life.
May 30
Shot with a pixelated W595 Sony Ericsson phone camera, Dry Leaf stands as a palpable salvo on cinematic degrowth. While director Alexandre Koberidze teeters on the edge of a formal gimmick to challenge technological tyranny, his characters swim against the false currents of modern life.
May 30
Shot with a pixelated W595 Sony Ericsson phone camera, Dry Leaf stands as a palpable salvo on cinematic degrowth. While director Alexandre Koberidze teeters on the edge of a formal gimmick to challenge technological tyranny, his characters swim against the false currents of modern life.
May 30
Shot with a pixelated W595 Sony Ericsson phone camera, Dry Leaf stands as a palpable salvo on cinematic degrowth. While director Alexandre Koberidze teeters on the edge of a formal gimmick to challenge technological tyranny, his characters swim against the false currents of modern life.
May 31
Shot with a pixelated W595 Sony Ericsson phone camera, Dry Leaf stands as a palpable salvo on cinematic degrowth. While director Alexandre Koberidze teeters on the edge of a formal gimmick to challenge technological tyranny, his characters swim against the false currents of modern life.
May 31
Shot with a pixelated W595 Sony Ericsson phone camera, Dry Leaf stands as a palpable salvo on cinematic degrowth. While director Alexandre Koberidze teeters on the edge of a formal gimmick to challenge technological tyranny, his characters swim against the false currents of modern life.
